Sergio wrote:Hey, denzacar, my question was serious: who is Richard Kelly?
Sorry.. I wasn't here for a while.
The "Donnie Darko" director.
http://www.imdb.com/name/nm0446819/
So naturally, when it was announced that he is making another movie like THAT everyone was excited.
Until Southland Tales came out.
Now... I've read the prequel comic and still I was confused and WTF-ed. I can only imagine how the rest of the audience felt watching that. XD
@hepar: You should read the Watchmen.
It is not your regular superhero story. It is not Spiderman or X-men like story, nor is it the new DK Batman story.
Its a more than little satirical piece on the entire superhero genre.
Costumes are there more to point out how unrealistic all of them are - it is a world where at one point it was perfectly normal for people to dress in latex and jump across rooftops chasing criminals.
A world whose Superman is more like some Bizaro Superman (plus all the human psychic problems) and whose Batmen (all 3 of them) fail in comparison to Bruce Wayne. Neither has the complete set of skills or resources or beliefs.
Chrome wrote:The LOTR movie was a movie, not a book. Why exactly all the changes have been made has been made very clear by it's creators, and almost all the changes are completely justified (way too long to go into that here, you can look it up quite easily).
I... DON'T... CARE.
Peter Jackson can argue and justify his point all day if he likes - to me he ruined the saga.
Third movie in particular bares almost no resemblance to the book.
It could be any old fantasy story.
I could maybe give in to the changes if they were made to cut the cost or whatever... They weren't.
They were made cause Peter and his merry band of idiots decided they can dick around with the story and make it better. More intense. Funner.
To me, what he did there is akin to what a deeply religious christian might feel about a "serious" (not some lampooning Lestlie Nielsen crap) Jesus movie that features chace sequences and kung fu fights and Jesus using superpowers and wearing a costume. Preferably with a big shiny cross on his chest.
The problems in bringing it to the big screen lie in the fact that you're going from a written story to a visual one. You can't, ever, do that on a 1 on 1 basis.
Yes you can.
Frank Miller did it with Sin City. Zack Snyder did it with 300.
Now... both of those are Miller's comics to start with, and like I said earlier - those are quite easy to convert to the screen.
Still... It CAN be done. Right.
And then there are a million ways of doing it wrong.
Think Dick Tracy. Or Ang Lee's Hulk with that idiotic attempt at creating the comic book feel with those multiple screens.
Or the decline of Batman franchise since 1989 up until Batman Begins.
Or Superman movies after Richard Donner.
Or Punisher.
For example, translating a theater play directly to a movie removes the 4th wall and reinforces it at the same time, a redundancy that becomes very clear if you watch older movies which are exactly that. It creates a very uneasy feeling on the viewer. At the same time, it loses out on soemthing simple like camera angles, which can greatly enhance any situation in the theater, improving the suspension of disbelief, and effectively replacing the feel of being in an audience. I don't know how exactly to describe it, but if you've seen any theater play on TV or whereever you should know what i mean, especially if you've also seen it live.
Not necessarily.
I've seen both good and bad plays transferred to the TV screen in both good and bad ways. In many cases, by just taping a play at the theater and replaying it on TV.
It is a lot up to the director and the actors.
All you can do is take the story and spirit of it, and make it into a good movie, not a book, and that's exactly what happened with LOTR.
No. LotR WAS that for the first movie.
OK... lets drop a scene or two. Throw away a less important character here and there.
Even the Liv Tyler can be excused in the first movie. I mean... WTF is Glorfindel, right?
But second movie just went in a whole new direction making it up as they were going along.
Adding scenes that weren't there, cutting out scenes that were, changing characters and their persuasions as they saw fit (Faramir was turned into a fucking villain, Treebeard and rest of the Ents into idiots, Sam and Frodo into little gay men...).
And then came the turd movie.
Which they apparently decided to make just to see how far can they bend it and still have it vaguely resemble LotR.
However, this does not have to happen with the Gunnm movie, since the medium "manga" lies so much closer to a movie
Please, don't.
Its like saying you can't drown in the ocean, cause the medium "sea" is not flowing like a river.
Manga just stands for Japanise comics.
Just comparing BAA and GITS should be enough to point out the difference between two story-, art- and setting-vise very close manga.
Compare it to Azumanga Daioh (which is also A manga) for further insight.
The things that can go wrong are, for example, the character looks. I expect Cameron to keep the individual differences, rather than the actual looks. It's simply not possible to have real people look exactly like the characters in the manga, especially Gally herself.
Actually, THAT is quite an easy part.
99% of characters are cyborgs.
Optimus Prime is Optimus Prime despite Michael Bay's lack of tallent.
And so are Boba Fett and Dart Vader and all the Batmen.
All Batmen look alike. Bruces on the other hand...
I agree on the sound and setting matters.
Cyborg sounds and post-apocalyptic industrial sounds stay the same. Not much to screw up there.
Makaku for example really only affects Kansas. He sets up a small part about the Gally/Kansas relationship, and only hints at Nova. It's a big action setpiece in the first volume, but ultimately only serves to set up the scrapyard, and Gally's fighting. Since the first 3 volumes are taken together, he will very probably be scrapped, since he's simply not needed.
I see him possibly, blended with or just replaced by Zapan. Again... that can be done in a good way, or in a bad way.
Agent Elrond and The Daughter of Aerosmith are nothing compared to the amazing fuckup that is almost every... no.. EVERY character in Wanted.
What i expect the movie to be:
I can't agree with that.
Frank Kapra once said that every great movie needs only 4 characters.
Good guy, Bad guy, Funny guy and a Girl.
Now... Funny guy can often be blended into other characters, making the Hero a bit of a bumbling twit or the Girl a sassy or silly character.
But the Hero-Villain-Girl combo is essential.
And while Hero (Gally) and the Girl (Hugo and Ido, and even Jashugan) are there to act as a potential love interest untill Figure and Kaos emerge later on - there is no central villain until Nova appears later in vol. 5.
OK... Motorball arc can go without a "real" villain for a while. You have a bunch of battles and there is a strong opponent in Jashugan.
But, unless you leave both Makaku AND Zapan in the story, you must either blend them into one character or drop one of them and push the other one the whole time.
Or you will end up with Star Wars prequels.
Ep. 1 - Darth Maul. "At last we will reveal ourselves to the Jedi. At last.. UPS! I'm dead."
Ep. 2 - My name is Count Docula. I suck blood. Sorry, gotta run.
Ep. 3. - Here I am again, Count Docula. No... I'm dead too.
Palpatine is the villain this time.
Or maybe not... can't be sure.
Maybe its the "shoot me in this exact spot for instant kill" robot.
Or the guy who is supposed to be the Hero.
Wait a second... if the Hero is the Villain... then... WhoTF is the Hero?
Ah fuck it... here... shiny effects.
Personally, I'd rather have a deeper Mapan or Zakaku than neither of them.
Makaku could (barely) survive the battle with Alita, and roam the Scrapyard through the entire Motorball arc, adopt a new body and identity (Zapan), tragically fall in love, accidentally kill her, go crazy again and have the second Zapan origin.
That would give the first trilogy (ending with volume 5) a central villain, while keeping Nova for the next run.
That would leave us with 1 origin and fight movie, one motorball movie and one action sequence + tying up loose ends ending movie.
Or... compressing most of the volumes 1 and 2 into the first half of the movie 1, second half being the motorball arc's beginning.
Making second movie out of motorball conclusion and Nova's intro.
And... having the third movie made out of later parts of volumes 7,8 and 9 while doing volume 6 and parts of 7 (the Tuned Agent arc) as an animated movie like Gotham Knight or Animatrix.
Personally... I'd rather have the it end at volume 5 than have the entire story jammed into three 2-2.5 hour movies and maybe an animated one or two.
But look around you ...
Death and Light are everywhere, always, and they begin, end, strive,
attend, into and upon the Dream of the Nameless that is the world,
burning words within Samsara, perhaps to create a thing of beauty.