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My guess is that he's going to do another flashback within a flashback which is most likely about Kagura. Erica problems seems to come from the fact that she seems either possessive or obsessed with Yoko, Erica is starting to become one of my least favourite battle angel alita character at the moment she's becoming obnoxious and irritating at the moment. Also I think I am the only who wants to know about the 4 eyed bird, what relevance does it have with the story.VehicleReversing wrote:Thank you
Spoiler:
Also I think I am the only who wants to know about the 4 eyed bird, what relevance does it have with the story.
I thought I was the only one who was bothered by that, Kishiro been doing that too much, from alita's encounter with nova, to the secret treasure of Mars, to cydonia's super weapon, the note Erica have, any hope of seeing those plot thread being solved after it has been revealed/ mentioned Kishiro will immediately show something else and it is one of the most annoying things I seen in Mars Chronicles as I find it too incoherentkamugin wrote:Thank you guys.
I won't thank Kishiro though. This whole arch is characterized by sudden change of scenes right after some major climax and we are left hanging before the conclusion. This is becoming over the top irksome and tiresome.
Nevertheless I am among those suckers who bought the first volume of Mars Chronicles by Kodansha... I am still waiting for Amazon to deliver it though.
Told ya, I'm a sucker00_unit wrote: also I'm surprised you purchased Mars Chronicles as I thought you would flat out not support it, given how much disdain you show for mars Chronicles art style in particular
I don't think the comparison is proper, I read Berserk too and while Kentaro Miura may do that sometimes, Kishiro does that ALL THE TIME in this fucking arch. Mabe he is putting together a jigsaw puzzle by adding one piece each time without connecting adjacent pieces, thus we only will see the whole picture after the completion --ingenious maybe, but for sure it is damn annoying!zwolfbar wrote:The pace of mars chronicles doesn't bother me as I also read berserk so I'm used to sudden changes
in chapter 12 we see a fallout easter egg the art looks like a pip boy in particular, also I would actually be a lot more forgiving if this was weekly instead, but maybe that is asking too much, even noblesse is faster than Mars Chronicle at the momentzwolfbar wrote:The pace of mars chronicles doesn't bother me as I also read berserk so I'm used to sudden changes, but mostly we're only at chapter 28 not chapter 100 so I'd say all these things getting set now will resolve like other arcs just that now we're in setting the pieces prologue. I'm waiting to see any hiddem warhammer 40k admech easter eggs though like servitor in the background of a panel.
This is what I meant, when I mention Kishiro is enjoying this too much from an author point of view , rather than an audience point of view actually, I hope he is not going for that post modern subversion technique or something similar to that anywaykamugin wrote:I don't think the comparision is proper, I read Berserk too and while Kentaro Miura may do that sometimes, Kishiro does that ALL THE TIME in this fucking arch. Mabe he is putting together a jigsaw puzzle by adding one piece each time without connecting adjacent pieces, thus we only will see the whole picture after the completion --ingenious maybe, but for sure it is damn annoying!zwolfbar wrote:The pace of mars chronicles doesn't bother me as I also read berserk so I'm used to sudden changes
I agree. He is trying his hand at a new kind of narrative but so far he only managed to be damn annoying. This Mars Chronicle is by no means something as ingenious as Pulp Fiction https://en.wikipedia.org/wiki/Pulp_Fiction or Irréversible https://en.wikipedia.org/wiki/Irr%C3%A9versible.00_unit wrote: This is what I meant, when I mention Kishiro is enjoying this too much from an author point of view , rather than an audience point of view actually, I hope he is not going for that post modern subversion technique or something similar to that anyway
Yeah exactly that, right now he's giving us a very long Mars travelling guide so presumably he could jump right into the locations/characters without introduction when the story goes back to present day (fucking when lol). He put the Super Nova cliffhanger there on purpose so there's something to look forward to. But now it's like look at this briefly introduced story element, remember that it might reappear later, ok we're moving on without resolving anything. He's relying too much on the readers' faith that the stage he's setting will payoffkamugin wrote:I don't think the comparison is proper, I read Berserk too and while Kentaro Miura may do that sometimes, Kishiro does that ALL THE TIME in this fucking arch. Mabe he is putting together a jigsaw puzzle by adding one piece each time without connecting adjacent pieces, thus we only will see the whole picture after the completion --ingenious maybe, but for sure it is damn annoying!zwolfbar wrote:The pace of mars chronicles doesn't bother me as I also read berserk so I'm used to sudden changes
That sums up all of our reservations about this arch. Though on the contrary to you I don't like the way he is shaping Erica's persona, it looks cheesy.VehicleReversing wrote:He's relying too much on the readers' faith that the stage he's setting will payoff![]()
I'm enjoying the Mars setting and Erica getting her sanity chipped away so there's that (at least for me)
To be fair, comparing manga with movie is tricky, as movies like those are 2 hours and a half and you could tell so much within that time span, but some directors would pad with filler with that amount of time and manga especially Mars Chronicle hardly tells a lot of story content right now as he keeps doing at least one double pages every single time with little to no dialogue.kamugin wrote:I agree. He is trying his hand at a new kind of narrative but so far he only managed to be damn annoying. This Mars Chronicle is by no means something as ingenious as Pulp Fiction https://en.wikipedia.org/wiki/Pulp_Fiction or Irréversible https://en.wikipedia.org/wiki/Irr%C3%A9versible.00_unit wrote: This is what I meant, when I mention Kishiro is enjoying this too much from an author point of view , rather than an audience point of view actually, I hope he is not going for that post modern subversion technique or something similar to that anyway
I only named those two movies to show examples of innovative, if not revolutionary, narratives. We also can find some examples of non linear narratives in manga and those both media have a lot in common. Two mangas that I am reading right now that have many cliffhangers are Ajin and One Punch Man, but the pace of those two is much more bearable than Mars Chronicles.00_unit wrote: To be fair, comparing manga with movie is tricky, as movies like those are 2 hours and a half and you could tell so much within that time span, but some directors would pad with filler with that amount of time and manga especially Mars Chronicle hardly tells a lot of story content right now as he keeps doing at least one double pages every single time with little to no dialogue.
It's possible to do great prequel arcs, look at Berserk's golden age arc, every manga fan would agree it is one of the greatest arc in any manga ever period. Also another great movie for me that didn't make sense at first but paid off for me was hateful eight it's very polarised but I found it interesting
I hate it. It is not even good as prequel. I mean, it has different tone: Dark Fantasy, monster slaying went to Machiavellian politics, where demons were coming out of nowhere and breaking immersion and etc. Berserk became good after that arc imo. I have not read more than 230 chapters, tho.00_unit wrote:It's possible to do great prequel arcs, look at Berserk's golden age arc, every manga fan would agree it is one of the greatest arc in any manga ever period.
Well I don't suppose I could convince anyone, but here's my take on Erica's character.kamugin wrote:That sums up all of our reservations about this arch. Though on the contrary to you I don't like the way he is shaping Erica's persona, it looks cheesy.VehicleReversing wrote:He's relying too much on the readers' faith that the stage he's setting will payoff![]()
I'm enjoying the Mars setting and Erica getting her sanity chipped away so there's that (at least for me)
Man, I'm dying to see some badass panzer kunst fights and all we are getting is some Quasimodo guy running loose and twisted brats. Give us some service, dammit!
You raised some interesting points here and I would like to add my impressions:VehicleReversing wrote: As to your point about panzer kunst/kunstlers I agree wholeheartedly. There has been no action for many chapters, and since that's the one thing that Yukito does best with consistency it's been kinda boring and un-Gunnm.
Looking back at how kunstlers operate, I find their organization perplexing. In vein they are like shaolin monks (living in secluded valley, doesn't teach just anyone) who also could be hired by governments/people to carry out mecenary-like operations (or even terrorist-like blackops). Created by one guy originally, teaches only cyborgs (are cyborg children common on mars? do kids have to have their body hacked off to join? does anyone join willingly?)
I mean what country would allow such a powerful warrior community living unchecked, maybe they have ties to the government though that seem unlikely. From what little info we have so far these kunstlers had enough resources to join in the great war that happened some time ago, would trains others to be kunstlers, and can be hired. Do they even have an agenda aside from train-fight-kill?